Once derided as Broadway’s king of overblown “megamusicals,” Andrew Lloyd Webber is enjoying an unexpected renaissance. Radically reimagined productions of his classics from a ballroom-scene Cats to a stripped-down Sunset Boulevard and a politically charged Evita are winning over critics who once dismissed him. These bold reinterpretations trade spectacle for intimacy, uncovering fresh political and emotional layers in works long mocked for their melodrama. As immersive shows like Masquerade and star-powered revivals pack theaters, even Lloyd Webber’s harshest detractors are asking: have we underestimated him all along?
